Underlie instrumentation are few and simple: a skin or a metal plateĬolumn of air in a brass or wooden tube with some four is a good of mouthpiece or embouchure a string or twoīowed, plucked, or struck. How were the wires laid ? Why is one type of engine better than another for its own purpose? How is the shop to be run in the most economical way 1Īll these questions call for answers, and, on the musical side of theĪnalogy, the answers are not difficult to find. Him the button, and, if he presses it, he light. book an attempt is made first, to describe our modern orcheswhere they sprang from, how they developed, and what they are to-day next, to trace the types of music which haveīeen reflected in these constructional changes and, in types most familiar since Beethoven's time. MARTIN'S STREET, LONDON & STAINER AND BELL, LIMITED ST.
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